#NewMusicFriday: ‘Always In Between’ by Jess Glynne

Although diverse and wide-ranging, the Hold My Hand singer’s sophomore release is generic, pandering pop which for the most part lacks impact and distinction – ★★★

There was something promising about Always In Between. With just under half of the tracklist for Glynne’s debut being taken up by singles we’d heard before, the new sounds of I Cry When I Laugh were overshadowed by the déjà vu of the old. Her follow-up was destined to be fresh, unheard of and a continued exploration of new directions for the London musician, yet the end result was a lot more underwhelming.

Alexis Petridis of The Guardian sums up the mediocre nature of the album well in his review. The second album should always offer a sense of progression, which Always In Between offers, albeit through the popular vocal styles and musical genres of the day. There’s ballads such as Insecurities for the Adele fans, while Never Let Me Go blends the Sheeran-esque guitar melodies with the harsh trap which has been dominating pop music lately.

Once again, it’s the singles which pack the punch on the record. Hit-makers Rudimental make These Days a vibrant summer jam, while talented singer-songwriter Frances lends a helping hand on the stripped-back pop track All I Am. 123 has a sense of soulful familiarity to it that we’ve probably heard before, while I’ll Be There has hard-hitting drums and catchy yodel-like vocals. The final single, Thursday – released a day before the album – is a refreshing, soft track away from the usual vibrant, loud sounds.

Glynne’s portfolio of hits is testament that there’s a winning formula there somewhere working with a phenomenal voice, yet Always In Between lets this descend to a point of disappointing blandness. It’s a comfortable background listen, but for a voice like Glynne’s, it should be one which commands your attention.

Always In Between is available now.

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Musical Discovery: ‘These Days’ by Take That

Throughout the years, Take That have always produced well-made singles that seem to fit in with the musical style of the time. Now, the trio are back with a track with a strong funk background – These Days.

In particular, the song has a strong guitar riff that continues throughout the track, adding a strong funk undertone. The vocals also add to the track, with a pop style that fuses well with the other instruments to form the number one single.

But it seems as though it’s not Take That who are following the funk trend, with Olly Murs’ new collaboration with Travie McCoy – Wrapped Up – also having the same funky guitar riff.

What do you think of this track? Comment below!

Liam