#NewMusicFriday: ‘Tie Me Down’ by Gryffin (feat. Elley Duhé)

In keeping with his traditional style, Tie Me Down sees Gryffin combine a powerful female vocalist with flowing lyrics, a trap beat and hazy synths to make another catchy and vibrant dance hit.

Elley Duhé is certainly making a name for herself in the dance community lately. Riding off the success of a collaboration with Zedd on the track Happy Now, the American singer-songwriter has joined forces with yet another dance great.

With Duhé’s original music already containing somewhat of a trap rhythm, Gryffin certainly caters to the artist’s talents whilst also offering something a bit more creative and challenging. Lyrics are delivered at different speeds flirt with an offbeat rhythm underneath. There’s a sense that the singer is in her element here – and that’s certainly shown in her performance.

Elsewhere, Gryffin’s production talent shines through with the song’s seamless progression through verses and chorus. A subtle guitar melody guides the vocals through the verse into the build-up, switching from light instrumentals to full-on hazy synth vibes. Such is Gryffin’s skill as a producer that such a development from a stripped-back feel to a loud hook never feels rushed or sudden.

Credit must also be given to the lyrics to the track, which offers something different to the over-saturated topic of a difficult relationship and helps create a catchy chorus at the heart of the song. Tie Me Down is an incredibly slick, fresh and creative collaboration from the American DJ and Elley Duhé.

Tie Me Down is available now on Apple Music and Spotify.

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New Music Review: ‘High Enough’ by Justin Caruso feat. Rosie Darling

Just three notes are at the heart of the melody in DJ Justin Caruso’s latest track, High Enough, but when mixed with singer Rosie Darling’s vocals and impressive production skills, the single makes for a vibrant dance hit.

From the outset, instrumentals in the verses let Darling take centre stage with the traditional soft sound expected on a dance track like this, but it’s enough to keep the track moving.

It’s a seamless process which extends to the track’s build-up, flowing effortlessly into the basic melody at the heart of the single.

The only disappointment comes with the final chorus, where one expects the lyrics in the build-up are now placed over the main melody. In some songs, this happens whilst the main lyrics are played at the same time, but on this occasion, it could have made for a less abrupt ending than the one Caruso adopts.

With creative pacing in the lyrics and a simplistic but effective melody, Caruso and Darling deliver a chilled hit with High Enough.

The single is available now on Apple Music and Spotify.

#NewMusicFriday: ‘First Aid’ by Eliza and the Bear

As Eliza and the Bear explore new sounds on their upcoming album, Group Therapy, their latest single First Aid is a little look back at the band’s beginnings – with lead singer James Kellegher taking centre-stage on this raw and impactful track.

After having revealed some of their personal struggles and their difficult journey to get to a second album, Eliza and the Bear think it “felt so right” that First Aid was released to fans this week – and they’re not wrong.

For one thing, it’s a break from the funk pop style we’ve seen on previous releases such as Higher, Hell and Real Friends. Instead, it feels like an emboldened version of what we already know from their debut. Out goes the loud drums and chanting vocals, replaced by a steady, controlled beat and soul from James. If Eliza and the Bear wanted to gently introduce their new sound, as opposed to a more daring and surprising approach, then this could very well have been a solid first single.

With the band already hinting that Group Therapy will be more funky release than their debut, First Aid moves away from that idea to deliver a passionate and raw track. Such a detour suggests that a bit of experimentation can be expected on their sophomore album, and for a band which has gone through some difficult times, they’re back, and the creativity is flowing.

First Aid is out now on Apple Music and Spotify. Eliza and the Bear’s second album, Group Therapy, is released on 5 October.

‘The Lieutenant of Inishmore’ review – Poldark’s Aidan Turner is hilarious in this bloody brilliant black comedy

Swapping the lovey-dovey vibes of Poldark for dark comedy, Aidan Turner’s latest performance is a surprising – but nonetheless refreshing – change from his role in the popular BBC period drama.

Set in the 90s during The Troubles, The Lieutenant of Inishmore at London’s Noël Coward Theatre sees Turner portray an Irish terrorist shocked by the news that his pet cat, Wee Thomas, is ‘unwell’ – to put it lightly.

From left: Chris Walley, Aidan Turner and Denis Conway. Photo: Johan Persson.

What follows is a play which is extreme in every meaning of the word – absurdist humour, blood and gore are being crammed into two intense, hilarious acts.

It’s a tone quickly established from the outset, with Chris Walley and Denis Conway delivering an incredible performance as duo Davey and Donny – one which almost rivals that of Turner.

A perfect balance between strong humour and shocking violence is struck throughout – something which is testament to Michael Grandage’s directing and ensures that the brave satire contained in Martin McDonagh’s (Three Billboards Outside Ebbing, Missouri) script is never once lost.

Gory, daft and extremely engaging, Aidan Turner leads a fantastic all-Irish cast in this thoroughly entertaining comedy.

Rating: 4/5

Musical Discovery: ‘Find Our Way’ by Midnight Kids feat. klei

Slowly but surely, a more relaxed form of dance music with a euphoric feel is making a resurgence, and Midnight Kids are certainly helping to bring it back with their atmospheric hit Find Our Way.

Having made a name for themselves already with huge remixes of tracks from the likes of The Chainsmokers and The Temper Trap, the DJing duo are now switching over to production with the release of their debut single.

In keeping with the pair’s remixing style, Find Our Way is quickly establishes a chilled tone in the verses, sticking to soft piano chords and a controlled beat in order to allow the vocalist (in this case, up-and-coming singer klei) to shine through and guide the listener to a loud and ecstatic chorus.

After some trap in the build-up, the track descends into galactic electronica full of intriguing synth sound effects, yet it’s the pulsing chords and bass lingering underneath the vocals and melody which deliver the subtle kick to this single.

Capturing a sense of mystery and intrigue with lingering instrumentals, Midnight Kids certainly live up to their name with this chilled dance debut.

Find Our Way is available now on Spotify and Apple Music.

#NewMusicFriday: ‘Icarus’ by Emma Blackery

There’s something different about Emma Blackery’s latest single Icarus. Moving away from the buzzing pop of Dirt and Agenda, the release takes a more delicate, personal approach – using a tale from Greek mythology as an unusual source of inspiration.

While there’s no doubt that some of Emma’s fans will have to take to Google to find out more about Icarus (a man who flew too close to the Sun, causing his wings to melt and him to fall into the ocean and drown), the story serves as a wider metaphor for online drama – of which Emma has had her fair share.

Working as a YouTuber as well as a musician, the 26-year-old has had a few heated arguments with fellow creators in the past, and Icarus serves as a reflection on that period in her life. “A song I wrote as a letter to myself,” Emma writes on Twitter, before explaining later that it’s “about retaliating to the people who want to see you fall, and looking like a fool.” Even Icarus flying to the Sun could well be symbolic of rising to the ‘heat’ or bait in an online argument. Either way, this creative take on the Greek legend is incredibly imaginative, and is a promising demonstration of the singer’s songwriting talent.

Yet it is not just the lyrical aspect of Icarus which helps it strike a more anecdotal tone. Opening up with a fragile harp melody (almost like one out of a music box), we not only see a nod to the song’s Greek inspiration, but it lays down the foundation for an emotional outpour. This is slightly different from the short, sudden burst of cymbals we hear during the chorus, which almost symbolises the lashing out online in retaliation to a public dispute. This is all down to interpretation, of course, but the large amount of symbolism in this song is incredibly impressive.

Almost like the Magnetised of the Villains era, Icarus is a hit packed full of creative imagery, emotional vocals and fluttering instrumentals.

It is available now on Apple Music and Spotify.

#NewMusicFriday: ‘Just Got Something’ by Codeko feat. Alex Winston

Lyrically speaking, it has the traditional make-up of a summer dance song. Cue vague and confusing lyrics about something romantic or some unorthodox relationship. Yet, it’s the instrumental elements of Codeko and Alex Winston’s Just Got Something which gives this track an edge.

A fluid, off-beat drum beat allows for some interesting experimentation with pace and tempo throughout the song, Winston’s soft vocals often overlapping with the snappy snare drum. It’s this bouncy rhythm already established at the start of the song which lends itself to the track’s build-up, working alongside pulsing, hazy synth to create suspense before the main hook.

The melody itself clearly establishes what sort of vibe the song wanted to go for. Pronounced synth notes which sound somewhat like trumpets allude to a carnival tone, complete with an electronic fanfare. Mix that with a punchy drum beat and you have something a lot more interesting…

Just Got Something is available now, both on Spotify and Apple Music.