Hard-hitting drums and buzzing guitar melodies makes Kiss the punchiest track on Pale Waves’ repetitive debut album. Here’s why…
When it comes to breakthrough releases, the best show off the range of the artist or band, flirting with the fringes of their talent, whilst also strengthening their familiar, traditional sound. For this Manchester goth-pop group, My Mind Makes Noises is just more of the same.
Save for a few stripped-back songs such as She, When Did I Lose It All? and the emotional Karl (I Wonder What It’s Like To Die), most tracks follow particular structural motifs. If it’s not tight bass notes introducing a track, then it’s sharp snares. Heather Braon-Gracie’s howling vocals are more monotonous than explorative, and there’s always a brief pause before the chorus in a bit to make it more impactful than it actually is. It’s a sense of rigidity and structure which strips each track of its creativity and much-needed ‘oomph’.
Then, when you consider the fact that single Kiss is one of Pale Waves’ older songs, written when Baron-Gracie was in her late teens, one can see why this packs a punch many of their newer songs lack. If one was to adopt a popular criticism of most bands, then Kiss is the band’s vibe before they were associated with The 1975 and launched into the musical mainstream and its focus on having one specific “sound”.
Here, we see instrumentals which are much more wedded to each other than their own individual part of a song. In the verses, drum and bass work together, along with Heather’s unconventional lyrical structure to give the song a slight driving rhythm on what is a rather steady tempo. Guitar solos feel so much more creative and expressive than just a simple filler, and as such, the drums feel so much more present.
A sophomore album isn’t easy for any musician or group, as it offers a choice of similarity or a whole new direction. Yet, when it comes to Pale Waves and their debut, a return to where it all started may be the answer to creating fresh, catchy and exciting music.