#NewMusicFriday: ‘23’ by Chlöe Howl

If Taylor Swift has the jubilant party hit for 22-year-olds, then Chlöe Howl has the confident, reflective follow-up with 23.

Maidenhead singer-songwriter Howl has never shied away from being honest. Now, in her usual candid and soulful style, the artist explores adulthood and the realisations that come with growing up.

Opening with the fuzzy piano chords seen on previous singles Do It Alone and Magnetic, it’s easy to assume that 23 might be the delicate, personal track on the upcoming EP, Work. Yet with a steady beat, the release is in fact a chilled song perfect for slow dancing at parties.

Though the tempo is standard, there’s still a strong pace to the track as Howl’s words float and experiment with the rhythm of the track. Refusing to descend into the structural and lyrical clichés that come with nostalgic looks back at years gone by, 23 is both a confident and delicate story of young adult life.

23 by Chlöe Howl is available to buy and stream now.

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#NewMusicFriday: ‘Serious’ by Midnight Kids feat. Matthew Koma

Creative, fluttering and unrestrained, Midnight Kids’ follow-up single Serious continues the electronic euphoria despite a few rhythmic hiccups.

Kyle Girard and Dylan Lee have had quite the busy couple of months since Find Our Way dropped in June. Their debut single after a string of hit remixes, the track (featuring newcomer klei) propelled the mysterious EDM duo into the spotlight. It soon gained over a million streams on Spotify and landed them their first few live performances – including as a support act for Alesso.

Now the pair keep the momentum going with their sophomore release Serious, featuring dance music titan Matthew Koma. Although revealed to have been “a year in the making”, the track’s tempo is slightly disorganised at points – Koma’s versatile vocals struggling to weave their way around fluttering synths in the pre-chorus. Instead, it’s the chorus which grounds the track, with punchy snare making the hook impactful and euphoric. It’s enough to make the single a worthy listen and solid addition to Midnight Kids’ catalogue.

Serious sees the Californian producers pushing themselves in a new direction – a different lyrical pacing compared to the relaxed, late-night listen that is Find Our Way. Aside from the occasional issue with timing, their latest single does well to build up the hype around Midnight Kids, showing them as experimental and imaginative musicians – and one to keep an eye on in the future.

Serious (feat. Matthew Koma) is out now.

Update: This article was updated on 13 November, when tempo issues described in my previous released were no longer apparent on the track.

#NewMusicFriday: ‘Perfect to Me’ by Anne-Marie

After a smash debut album and a string of high-profile collaborations, the Essex singer returns with a fresh take on a previous release with the chilled but confident single, Perfect to Me – ★★★★☆

2018 is Anne-Marie’s year. Speak Your Mind was a hit record while her list of featured appearances currently includes the likes of Rudimental, Marshmello and David Guetta. Now the singer-songwriter keeps things rolling with a new version of album track, Perfect.

A sharp, real take on society’s perceptions of perfection and beauty, Perfect to Me has a sassier, more pronounced feel. While the rhythm of the original was staggering and complex, this latest version sounds tight and controlled. The quiet piano is replaced with expressive guitar chords to give it a vibe which fits in with past releases 2002 and F.R.I.E.N.D.S.

Perfect to Me is available now on Apple Music and Spotify.

#NewMusicFriday: ‘Access’ by Martin Garrix

It’s Avicii’s X You meets Lucas and Steve’s Anywhere on Martin Garrix’s latest release Access – taken from his new EP, BYLAW.

Chinatown sounds a lot different now than it did back in 2017. Since premiering at Ultra Miami last year, Garrix’s instrumental hit has undergone a bit of a harsher makeover. Where the main synth melody initially felt soft and light, the Dutch producer has added a heavy edge. The bass feels grittier and hard-hitting, and the drums feel a lot more pronounced. What was initially a comfortable EDM track is now a bold electronic dance hit.

Multi-layered with synth, bass and snares, Access is true creative and nostalgic electronica. It’s certainly familiar (both for it being a new version of an old track and for it having similar technicalities as other EDM hits), but Martin’s gift for a catchy melody shines through here. In turn, it delivers an imaginative, uplifting and standout track from his BYLAW EP, and returns us to the dance styles we don’t hear enough of in this genre.

Access is taken from Martin Garrix’s latest EP, BYLAW, which is available now.

Musical Discovery: ‘Radar’ by Whethan (feat. HONNE)

Not long after the release of their second album Love Me / Love Me Not, HONNE return on Radar – a funky, robotic collaboration with up-and-coming DJ Whethan (Ethan Snoreck).

Fans of Sub Focus and Madeon may want to give the latest track from the Chicago producer a listen. Thudding synths at the start are reminiscent of the intro to the former’s track Tidal Wave, while the wacky vocal distortion sound like the chopped vocals of the latter’s song OK. There are some comparisons to be made on this latest release, but Whethan’s new single is far from unoriginal.

Settling into a unique sound whilst also remaining experimental with his releases, Snoreck continues to explore new electronic effects and staggering melodies on Radar. Andy Clutterbuck of HONNE’s smooth, raspy vocals explore new ground with the help of Whethan’s production.

A bubbly, poppy cluster of instrumentals, the chorus still has a sense of a tight tempo at its core underneath the catchy lyrics. Following on from collaborations with the likes of Dua Lipa, Oh Wonder and Broods, Radar demonstrates that Whethan has found the perfect balance between unrestrained creativity and a rigid, driving rhythm.

Radar is available now on Apple Music and Spotify.

#NewMusicFriday: ‘Brighter Days’ by Sigala feat. Paul Janeway

The title track from British DJ Sigala’s long-awaited debut album Brighter Days, featuring Paul Janeway from St. Paul and the Broken Bones, is a strong deep house opener packed with euphoric, feel-good vibes.

With it being just over three years since Norfolk-born Bruce Fielder released his smash debut hit Easy Love, dance fans have become quite accustomed to the producer’s particular style across the many singles the 25-year-old has released to-date. Take vibrant tropical house with the occasional funk and deep house influences and you have Fielder’s traditional sound which has seen him achieve seven Top 40 hits.

These seven chart successes all appear on the album, with 10 of the 16 tracks already being released as singles. While the popularity of these songs has already been proven, it’s the new collaborations with big names such as Kylie Minogue and Kodaline that have fans interested. Yet, while they show the range of Sigala’s tropical house sound, they fall short of conjuring up the last drop of summer – something which is probably not helped by the record’s autumnal release.

Of the few tracks which we haven’t heard before, it’s opener Brighter Days which is particularly distinctive. Janeway’s vocals have a noticeable Sam Smith/John Newman twang which is far from unfamiliar to Fielder and his listeners. What’s new and different is the deep house hook which is something fans have heard more of in live performances than in the studio (with the exception of his track with Blonde and Imani Williams, I Don’t Need No Money). Lyrics like “the sun breaking through those clouds” and “holding on for the brighter days” are typical Sigala – summery, vibrant and optimistic.

It’s a strong introduction to the record, with the underlying bass and heavy, hazy synth foreshadowing tracks such as Just Got Paid (feat. Ella Eyre, Meghan Trainor and French Montana) and You Don’t Know Me (feat. Shaun Frank, Flo Rida and Delaney Jane). However, Brighter Days and Sigala’s track with Nina Nesbitt and HRVY – Somebody – are the only two new, stand-out songs from the album. Yet, with so many featured artists and tracks we’ve heard before, there’s likely to be something for everyone on Sigala’s eagerly anticipated debut.

Brighter Days is the title track from Sigala’s album of the same name, available now on Apple Music and Spotify.

#NewMusicFriday: ‘White Star Liner’ by Public Service Broadcasting

After exploring the Welsh coal mining industry in their third album Every Valley last year, retro-alternative trio Public Service Broadcasting turn their attention to the sinking of the Titanic with their latest track, White Star Liner – the lead track taken from their upcoming EP of the same name.

With an almost Kings of Leon-style sound, the single has a driving drums and tight guitar melodies guiding along the speaker’s description of the ill-fated ship. Chronicling the launch of the vessel, the London group once again capture all the expected emotions that were felt at the time.

Fast-paced and loud like Go! but also tight and restrained at times, White Star Liner encapsulates the excitement of the Titanic setting sail, as well as what was likely to be some concern about how successful its first voyage would be.

Public Service Broadcasting’s new EP, White Star Liner, is set to be released on digital and CD on 26 October, and on vinyl on 7 December.