Musical Discovery: ‘Message’ by Audien

As the name suggests, Some Ideas – the latest EP from the American DJ Audien – contains three songs all completely different from each other. From chill house to hazy synths, it’s a release which sees the musician flex his producing muscles. Yet, by far the most traditional-sounding song of the lot is the EP’s opener, Message.

After all, there’s the repeated lyrics – message from my heart/too loud to stay apart, taken from the 2010 dance track by Yuri Kane, Right Back – alongside Audien’s signature beat drops (be it a bass drum or sudden pause in the song) and delicate piano. It follows the usual structure, too: minimalistic piano chords guide the track all the way up to the main lead, which is complete with the occasional off-beat note and a satisfying rising and falling melody. Yet again, US artist sure knows how to create a euphoric dance hit.

Whilst part of this song is down to sampling and the repeated lyrics may come across as simplistic, it must be remembered that this is quite an experimental assortment of songs. Message, Resolve and Rampart see Audien try out new sounds, with each track different from the other. Simply put, it’s a pick-and-mix EP, and there’s a high chance you’ll like at least one of the three.

Advertisements

Musical Discovery: ‘Night Bus’ by Gabrielle Aplin

We’ve all been there: a rainy car journey or an early train ride and we picture ourselves in a music video or black-and-white movie with sad, upsetting undertones. For Gabrielle Aplin, however – known for her 2012 cover of The Power of Love by Frankie Goes to Hollywood – a bus ride home is the focal point for a track from her EP, Miss You.

A bouncy 6/8 beat is at the heart of Night Bus, which, when combined with a triplet synth melody, only adds to the reflective and heavenly vibe Aplin always manages to create with her soft vocals. When analysed alongside Miss You, both use electronica to heighten their tone. There’s no doubt that this injects some positivity into this particular song, but not enough to detract from the bittersweet meaning of the track itself – that on the way home, the singer is considering ending a relationship.

To throw Night Bus into the ‘generic breakup song’ category would be a terrible mistake. Throughout, the lyrics are wonderfully imaginative and take the us back to a reflective journey on public transport which we have all experienced. The second verse, complete with descriptions of dazed and complacent reflections and lovers that hide from the cold white light, paints the perfect picture of the bus ride. Whilst the setting may be simplistic, the adjectives and the individual’s thought process makes this an honest and open track from Aplin.

As the lyrics float around the fluttering rhythm perfectly, it’s likely that the beat is the more distinctive part of the track, emboldening and placing emphasis upon Gabrielle’s reflective vocals. From her electro-heavy EP Miss YouNight Bus is a blissfully relatable and heartfelt song from the 24-year-old artist.

Musical Discovery: ‘Waking Up Slow’ by Gabrielle Aplin

Gabrielle Aplin has fully embraced an electronic pop sound, and I for one am completely happy with that decision. The Please Don’t Say You Love Me singer made the switch on her Miss You EP, with the song Night Bus and the title track both offering fluttering synths. Now, with Waking Up Slow, Aplin is squeezing out the last little bits of summer with a euphoric, fuzzy hit from her upcoming release, Avalon.

It’s a track full of blissful harmonies, one of the most beautiful being in the pre-chorus in the lines: you know I’ve never/been so lonely on my own. Yet again, whilst poppy instrumentals bubble in the background, Gabrielle’s vocals remain pure, soft and smooth. Calm in the verses and then jubilant in the chorus, it’s a slow build-up towards an upbeat chorus.

There’s no denying that it’s a positive song to listen to – and that’s without the knowledge that Aplin has described this song as an ‘a-ha moment’. Much like Miss You, the song is an open letter to a mysterious lover and whilst the aforementioned track sees the singer talk wanting to resume a relationship, this one is a lot more upbeat, with the lyric: when I’m with you/it’s like everything glows proving that this is a warm, summer track to dance to.

Following on from the hit that was Miss You, one wonders if more electronic music is to come from Gabrielle when Avalon drops on 15 September.

Musical Discovery: ‘Clap Your Hands’ by Le Youth feat. Ava Max

With a name like Clap Your Hands, it’s understandable for people to approach Le Youth’s latest single with Ava Max with some heightened scepticism (so many artists have sung about clapping your hands over the years) and assume that it’s a traditional pop song which lacks any particular substance which makes it stand out. However, whilst the lyrics to the song are quite simplistic and bland (look no further than the chorus for proof), it’s Max’s smooth vocals on top of flowing instrumentals which saves the song from falling into the generic brand of mainstream music – think Daft Punk meets the voice from How Deep is Your Love by Calvin Harris and Disciples.

Throughout, one off-beat synth chord plays underneath various drum beats – the main one being a groovy rhythm with a double-stroke hi-hat which is to be expected from such a funk-heavy track. The surprise opening of the hi-hat every once in a while keeping the groove fluid and interesting. Swap this for clapping in the final bridge and the beat remains tight throughout.

As for Ava Max’s vocals, the aforementioned synth keeps things nice and stripped back for the American singer in the verses. Pure and soft, it’s a smooth layer to the electro-funk vibes whipped up by Le Youth. The harmonised ah, ah, yeah really adds to the vibrant, chilled feel of the track and makes it a brilliant debut collaboration from the artist, who’s set to release some new music towards the end of the year.

Alongside showcasing the talent of his featured vocalist, Le Youth also stops to show off some of his talents as a producer. Whilst the main chorus offers little progression from the verses, it’s the main instrumental where the true funkiness of the track shines through. A fluttering bass synth hides as a slightly whiny-like electronic melody flows. Listening to this alongside the colourful music video, it’s wonderfully psychedelic and both work brilliantly together to capture that disco funk style we all know and love. To judge this track from its very typical title would be a poor mistake indeed.

Musical Discovery: ‘Little Secrets’ by Passion Pit

Passion Pit is a band who always seems to find their way into my life at those euphoric moments. Their collaboration with my favourite DJ Madeon on the track Pay No Mind welcomed me into adulthood, and now Little Secrets was part of my Summer in the City 2017 soundtrack – a weekend which was absolutely incredible.

With kazoo-like electronica that sounds reminiscent of an old Nintendo game mixed with summery French music, there’s a sense of blissful nostalgia which distracts oneself from Michael Angelakos’ slightly irritating falsetto. It’s how the lyrics and vocals intertwine with fluttering synth and bouncy drums which makes Angelakos just about bearable on this track. Whilst there’s no denying that his high-pitched singing is impressive, using this as in an attempt to heighten the emotions isn’t entirely successful.

Instead, you have a track which is worth listening to because of the instrumentals. It defeats the purpose of the track somewhat, but the feel good vibes are nonetheless apparent – despite the song supposedly having a much darker meaning.

Musical Discovery: ‘Glue’ by Fickle Friends

With a growing fanbase and a big debut imminent, all eyes are on the Brighton electro-pop band Fickle Friends when it comes to their next release. For a while now, news outlets have reported that the five-piece group are to unveil their debut album in the summer, but with the announcement of an August EP (entitled Glue), could that be delayed? Even if that is the case, Fickle Friends continue to build the hype around their music, as they revealed the title track from the record late last week.

Bouncy synths introduce a track which sounds far more electronic than previous singles such as Brooklyn and Hello Hello. However, it isn’t long before it is balanced out with the traditional guitar riffs which are such a strong part of Fickle Friends’ style. Accentuated notes tense up the track ahead of the song’s catchy chorus, where Natassja Shiner’s soft and smooth vocals add to the euphoric, plucky electronic guitar and bass.

It’s yet another groovy track for the band to add to their already impressive collection, complete with summer vibes to keep us hyped throughout the season until the big EP release. Even when the band said in a recent newsletter that the song was ‘kinda born out of frustration from lots of writing sessions that hadn’t gone all that well’, there’s no dip in quality when it comes to this new single.

So, if this is indeed a teaser for bigger things to come (that debut album), then Glue certainly is a single which perfectly summarises the upbeat electro-pop vibe of Fickle Friends, and will no doubt be a great opener to the three-track EP coming our way on Friday, August 11.

Musical Discovery: ‘Symphony’ by Clean Bandit feat. Zara Larsson

You’d have thought that a song called ‘Symphony’ by the electro-classical band Clean Bandit would involve bursts of violin and cello. Yet, with orchestral flourishes only appearing in the background, it’s another pop song by the trio which has this imbalance between dance and strings.

It’s a track much like Extraordinary and Dust Clears in nature. Bouncy, light synths and snappy drum beats are at the forefront underneath the vocalist’s sound, with the occasional, classical flair. In this case, it’s the artist behind Lush Life – Zara Larsson – and sings with pure, soft vocals reminiscent of her ballad, Uncover.

This track came out on Friday – the same day that Larsson’s debut album, So Good, was released. In that sense, Symphony‘s delicate nature was the perfect track to coincide with the record. It shows Zara in her true form, displaying her vocal talent. For fans of Clean Bandit who have only just been made aware of the Swedish singer, it’s certainly a great way to introduce herself.

As Larsson’s vocals take centre stage (both in the song and literally in terms of the music video), everything else – including Clean Bandit’s contribution – feels somewhat supplementary. There’s even an orchestra in the video, despite the classic elements of Symphony not being at the forefront of the song. Despite the lack of strings and the absence of a move towards the style shown on their debut album (New Eyes), that is not enough to be dismissive of this particular Clean Bandit track.

As with every collaboration, the trio always manage to pick a mood and singer which work well together. In this case, Zara Larsson leads a soulful single complete with impassioned verses and fluttering choruses. It continues the pop vibe of Tears and Rockabye, albeit with a completely different tone this time round.