Humans series two: A thought-provoking show which explores the concept of humanity

Warning: This post contains spoilers for series two of Channel 4’s Humans. Please do not read this if you have not yet watched up to the series finale, which aired on December 18, 2016.

Humanity’s fear of robots and artificial intelligence is formed from a variety of different concerns, but one of the most interesting points which makes up this fear is the idea that AI reflects humanity right back at us. Robots are mirrors and voids. Whilst we assign meaning to them, they prompt us to question our very own purpose and behaviour. What makes us human? Well, it’s a question the Channel 4 drama Humans continues to try and answer in its second series, which appeared on our screens in October.

From left: Laura (Katherine Parkinson), Mia (Gemma Chan), Joe (Tom Goodman-Hill), Toby (Theo Stevenson) and Sophie (Pixie Davies). Photo: Channel 4 Press.
One of the other concerns society has about AI is the idea of them making our human roles redundant. It’s something we saw in the first series of the show (for example, Anita getting in the way of Laura’s responsibilities as a mother) and this was developed in series two when Joe lost his job due to the synthetics. Similarly, as well as looking into the idea of humans losing some of their responsibilities or jobs in life, the new set of episodes also asks what would happen when a synth loses its original purpose.

When Odi (Will Tudor) is brought back to life thanks to the consciousness program, he decides that it isn’t a life for him and restores himself back to ‘setup mode’. In his final scene in the series, he says: “I long for the past. I felt nothing then but I had a purpose. A place in the world.” It’s a tragic subplot which offers a pleasant – albeit sad – break from the intensity of the main plot.

Unfortunately, unlike the first series (which you can read my analysis and review of here), I felt that there were fewer scenes in this series which prompted a deep discussion about existentialism, artificial intelligence or humanity. That being said, the show did touch upon some interesting ideas.

Niska (played by Emily Berrington, centre), is by far one of the most interesting characters in the show and it was great to see her become one of the key characters in series two. Photo: Channel 4 Press.
Earlier on in the series, we saw a synth in the role of a marriage counsellor, aiming to heal the damage done to Joe and Laura’s relationship which we saw in series one. It poses an interesting question though: could artificial intelligence be the key to true impartiality in situations which demand it? After all, a human counsellor must remain impartial, so they have to conceal any opinions or views they have. Yet, when it comes to a robot, they cannot possess a concealed bias towards one party. It’s an unanswerable question, but is still an intriguing one to consider.

However, the most interesting plot point in this series was Niska’s consciousness tests. If the synth was found to be conscious, then she would stand trial as a human for the murder of a character she killed in the first series. Yet, when it came to the verdict on whether or not she was conscious, Niska stood up and dismissed the legal process as corrupt and working against her. Her lawyer, Laura, told her that this was her ‘chance’ to be given the same rights as a human, to which Niska replied that it wasn’t her chance, it was humanity’s chance.

What does this mean exactly? It means that the consciousness tests had a secret purpose to Niska. The ‘chance’ she was referring to was whether or not human beings would be willing to accept artificially intelligent robots as their equals. Unfortunately, for those conducting the tests, the possibility of something inhuman gaining the rights of a human threatened the hegemony humankind possesses, so they stopped it and hijacked the legal procedure. For us, any circumstance which requires us to explore the definition of humanity is an awkward one. Yet, for Channel 4’s Humans, the writers chose to bite the bullet and raise this question – with the help of some artificially intelligent robots, of course.

Katherine Parkinson plays Laura Hawkins, who is Niska’s defence lawyer during the tests to prove if the synth is conscious. Photo: Channel 4 Press.
Niska’s interest in whether synths could be treated the same as humans tapped into an even bigger idea. That is, whilst Homo sapiens are a species, humanity is a concept to which any conscious and intelligent entity can subscribe – and that also forms part of our fear of AI.

Once again, Humans explores deep existential questions whilst keeping the programme as entertaining and gripping as possible. The show really got interesting in the second half of the series, with Sophie’s personality disorder being a curious subplot. However, the suspense came with the death of Pete Strummond (played by Neil Maskell) – something I didn’t see coming. In the final episode, with Mia, Leo, Hester and Karen all facing the risk of dying, it all felt too much. Thankfully, the powering down of Hester and the possible death of Leo were the only two things which occurred. If any more main characters were killed, then the programme would really struggle should a third series be commissioned.

Then the series ended the way it should have begun, with all synths becoming conscious and roaming the streets. The writers’ decision to cause the program to only ‘wake up’ some robots at the start of series two was a disappointment. Thankfully, series three should finally explore a parallel present we have all thought about (and hopefully tell us, at last, what happened to Fred, one of the first conscious synths we last saw at the end of series one). Series one and two presented a world where subservient robots lived among us, but now that all these synths are conscious? We could see a clash between humans and robots, and the return of the ‘We Are People’ movement which we saw in the first series. Series three should be very interesting indeed.

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Thoughts on Channel 4’s ‘Humans’ (SPOILERS)

At a time when our society is constantly expanding and changing, questions are being asked about the speed of our technological advances. In the latest Channel 4 drama Humans, which concluded last Sunday, the exploration of the ultimate technological breakthrough – artificial intelligence – is investigated in a way which addresses the advantages and disadvantages of introducing robotic appliances into our everyday lives.

Photo: © Kudos
Photo: © Kudos

For the first half of the series, through the troubled Hawkins family, we see different attitudes to Anita’s role in their family life. Sophie has a ‘human’ relationship with Anita, Joe sees the synthetics as nothing more than obedient robots (at least, at first) and Laura struggles to understand Anita, fearing that some of her familial roles have been made redundant thanks to the robot.

Then, throughout the series, the relationship between Joe and Laura crumbles as they realise that they both have different views on synthetic appliances. But in fact, synths are nothing more than obedient ‘voids’ which we all assign different meanings to. Whilst George has a friendly relationship with Odi, Pete’s suspicious of his wife’s robotic physiotherapist, Simon. Even in numerous interviews before the show’s launch, the actors explained that it is up to the viewers to determine how much of a threat artificial intelligence and robots are to humanity, and which ‘side’ people take.

But as well as the human characters assigning different opinions to the synths, they all react differently to the task of understanding how the synthetics work. For example, people like Mattie only understood the robots as lines of computer code at first, whilst Laura was desperate to find out more about Anita’s thought processes. As for the characters who initially fear the synths, one of the possible reasons for this is the fact that the robots allow the humans to understand themselves more. With the introduction of a ‘species’ which are outside the human race and treated as servants, they try to understand the complexity of human nature. At one point, Karen/Beatrice even explains that to give consciousness to other synthetics would lead to ‘suffering’. Although, whilst the synths learn more about humans, this often leads to a ‘mirror’ effect, as the humans begin to learn more about themselves. For some characters, the idea of robots defining something as extraordinary, complex and mysterious as human nature itself is terrifying. Whilst some of us would love to explore humanity, others would rather live their lives without contemplating deep topics such as the definition of human nature.

This brings me on to the introduction of the We Are People movement which we see towards the end of the series. Upon seeing and listening to their speeches as seen on the show, it’s clear that their fear of artificial intelligence comes down to three main reasons: being unable to understand robots (comprehension), losing our roles as humans (redundancy) and the idea that they will take over the world (uprising).

The Casual Vacancy: The Benefits of Connected Characters

Once again I have gone against reading the book before the TV series/film, and have begun watching the TV adaptation of J.K. Rowling’s The Casual Vacancy.

It was the series’ opening episode that prompted me to try and read the opening pages. Sarah Phelps’ ability to introduce all of the main characters in such a short amount of time is commendable. Alongside this, praise must also go to Phelps for her ability to explain the connections between characters in a clear manner. It is these ‘character connections’ that I wanted to talk about today.

I remember starting out as a writer and falling into the trap of assuming that all the ‘good guys’ like each other and all the ‘bad guys’ work together, and the only conflict comes when it’s the big battle of good versus evil. Whilst this is traditional in some respects, there is no realism to this. Instead, giving relationships between characters a little bit of a rough edge, actually makes it more realistic.

Immediately in the first episode we learn that there is a friendship between the character of Fats and Arf, but it’s tainted by Fats’ bizarre and weirdly extroverted character.

Similarly, Fats relationship with Krystal isn’t the traditional, cliché and perfect love story. In some respects, it’s a tad awkward and doesn’t flower straight away. 

Aside from The Casual Vacancy, the characters of Daryl and Carol in The Walking Dead also presents a unique form of romance. Their strong and vigilant characters mean that a cliché  romance story would be disastrous. Instead, their subtle romance intrigues the viewer more.

So I suppose it’s more than avoiding clichés, it’s having a strong psychological link with your characters, and imagining what characteristics they like in other people. As a writer, you can then imagine these clashes or friendships and these will bring an interesting side to your story.

That is what I’ve learnt from The Casual Vacancy so far after watching it. What do you think of the TV series? Comment below!

Liam

TV Developments

Following on from previous posts on the factual accuracy of TV dramas, I’m now seeing more and more TV shows that are adapting to more realistic norms in dramas…

For example, more crime dramas are now paying attention to the importance of DNA. I’ve seen a lot of dramas recently where the person responsible manically rubs his jumper on an item in an attempt to rub off the DNA. In the past, it used to be that this wasn’t an issue, and it was this that often lead to a more simplistic plot.

Have you noticed any improvements to dramas recently that add a sense of realism and improves the plot as a whole? Comment below!

Liam