#NewMusicFriday: ‘Don’t Tell Me You Love Me’ by Sam Calver (Jack Wins Remix)

As much as a remix can breathe life into a piece of music, it can also cut free the structural restraints of the original. With his take on up-and-coming artist Sam Calver’s Don’t Tell Me You Love Me, Jack Wins creates new ground for a summery hit.

On the original, Calver experiments with the flow of his vocals underneath a slight trap beat. While at times the weaving of lyrics around the relaxed tempo brings with it a creative flair, it does sound rather disjointed and has this rather ‘tight’ sound to it. There’s a sense of the vocals wanting to explore a new rhythm, but the track’s instrumentals are holding Calver back. Cue Dutch DJ Jack Wins spicing things up a bit.

With new backing piano chords moulding around the vocals, there’s much more room for Calver’s voice to take centre stage with a more anthemic edge. From stabs supporting the higher ends of his vocal range, Wins’ traditional club sound in the second verse works well with the lyrics, giving a much grittier feel to Sam’s sound. Through Jack’s creativity, we finally get a track which feels unrestrained and liberated – a feeling which translates well into the minds of listeners when giving this club track a spin.

Jack Wins’ remix of Don’t Tell Me You Love Me is available to listen to now on Spotify and Apple Music.

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#NewMusicFriday: ‘Drink About’ by Seeb feat. Dagny

It’s been nearly three years since the Norwegian DJ trio Seeb shot into the spotlight with their hit remix of I Took A Pill in Ibiza. What followed was a string of collaborations on remixes and original tracks – the group working with the likes of One Republic and Ocean Park Standoff – before last month, the hitmakers finally announced the launch of their debut EP.

Nice to Meet You is out on 20 April, but today saw the release of the first single from the record – Drink About, featuring fellow Norwegian, Dagny.

Once again, Seeb’s traditional, bouncy synths shine through underneath a steady rhythm – a style which has sadly become a bit too repetitive after a lengthy back catalogue from the group, yet still strikes a unique tone with calming piano chords in the verses which make Drink About a more laid-back release.

Although the instrumental backdrop to the track may appear all too familiar, it’s usually the vocal structure of the song which tends to deliver the fresh sound. In this case, Dagny – another artist close to their big music breakthrough.

Like Paloma Faith but without the slight raspiness, the 27-year-old experiments with the flow of lyrics in a playful manner, moving seamlessly between controlled, soft vocals and smooth high notes on this anti-love song.

Packed full of the typical characteristics of a Seeb hit, Drink About easily falls into the uniform structure of the Norwegian group’s previous works, yet somehow also generates a calmer pace unlike remixes such as Lost Boys and Rich Love.

If the lead single is ever demonstrative of the full picture of an EP, then there’s a chance we could see more relaxed tones in addition to club hits when Nice To Meet You is out in two weeks’ time.

REVIEW: ‘You Are Someone Else’ by Fickle Friends

With a synth-heavy soundtrack for the millennial generation, You Are Someone Else is the highly anticipated debut album from Brighton band Fickle Friends.

Rarely are songs so brilliantly mastered that every instrument and layer of a track can be heard all at once. In every one of the 16 songs is a burst of musical euphoria that isn’t in your face or underwhelming, nor detracts from Natassja Shiner’s soft vocals. Whether it’s the plucky bass of Lovesick, the sharp guitar melodies of Swim and Bite or calming synth of Wake Me Up, every one offers a signature sound under the umbrella of true Fickle Friends indie pop.

Not only that, but a triplet rhythm on She and quirky intros on tracks such as Midnight and Rotation hint at future styles from the band. Songs like Paris and In My Head strip back the traditional synths, paving the way for Shiner to take centre stage.

While nearly half of the songs have been heard before, they serve as nostalgic timestamps of the band’s five-year history and for the fans that have followed them along the way. As much as You Are Someone Else can be seen as a diary, it’s also a very personal album – the title (taken from Brooklyn) and record as a whole representing “the feeling that you don’t fit in your own life, forever craving something else”.

It’s something we hear on Hard to Be Myself and Wake Me Up as well as Brooklyn. Songs about anxiety or feeling lost are wrapped up in catchy and vibrant hits, making You Are Someone Else an energetic but relatable album which any listener can connect with.

Rating: 4/5

#NewMusicFriday: ‘Dirt’ by Emma Blackery

It was no surprise that Emma Blackery’s latest single Dirt was going to be firing some shots at a certain someone. With promotional images seeing her posing with bitter labels, sipping tea and bathing in receipts, the singer-songwriter’s track is packed with sass as radiant as the synths at its heart.

While the music video has the vibrant art style of a Chloe Höwl video, the song itself has clear Taylor Swift vibes with blunt, sly muttering in amongst the vocals. Add this to the nursery rhyme of the key line I’ve got dirt on you and you have a song packed with soft, bubbly instrumentals with sharp, flowing and edgy lyrics.

Sure, Dirt is a clear and stark contrast to the calmer tones of the Magnetised EP (which Blackery described as being about ‘mending’), but with cup and saucer in hand, Emma Blackery is stronger than ever.

#NewMusicFriday: ‘Wake Me Up’ by Fickle Friends

When it comes to bops, Fickle Friends like to go big and loud. Yet, with every album, live show or string of singles, there’s that one track (or two) which strikes a calmer, more contemplative tone. Today, the Brighton band release that single with their song, Wake Me Up.

In an interesting contrast to previous tracks, it’s pulsing bass and drums which take centre stage in the verses, as opposed to bubbly piano melodies or plucky guitar.

However, the synth, as usual, makes an appearance in the chorus with bouncy chords interlacing with the fluctuating flow of Nattie’s soft vocals.

What is unusual though is the synth’s chord progression, which creates a low, minor tone which isn’t usually heard on a Fickle Friends release. Past releases from the band have begun with calmer introductions, only to quickly progress into fast-paced melodies. Here, we see the same mood throughout, which works well with the song’s tale of a struggling and troubled relationship, as well as showcasing a fresh take on their traditional sound ahead of their debut album release.

You Are Someone Else comes out on Friday, 16 March.

Musical Discovery: ‘Where’d U Go’ by Illenium & Said the Sky

It’s quite hard trying to pinpoint when exactly I stumbled across Illenium. In most instances, it’s YouTube channels like MrSuicideSheep and Proximity to whom I owe my thanks for discovering up-and-coming dance artists. Yet, on this occasion, it may have been an announced collaboration by Mako which led to me listening to Illenium’s track with Said the Sky, Where’d U Go.

With no vocals (save for the song title itself), the track is completely instrumental, broken down into the main, stuttering melody and softer, atmospheric backing chords. In the space of just over three minutes, Where’d U Go flits between quieter breaks with subtle drum-and-bass into euphoric, hazy drops.

Interestingly, there’s not always just the main melody to focus on. In the opening, fluttering piano chords are played underneath jittery synth, whilst in the choruses, multiple tunes combine with a steady drum beat to create a busy but vibrant hook of euphoric proportions.

On YouTube, listeners were quick to compare the track to Divinity by the US DJ Porter Robinson. Whilst the stumbling synth is common on both songs, Illenium’s track builds an ethereal tone through loud melodies, as opposed to Robinson’s (primarily) delicate sound in Divinity.

#NewMusicFriday: ‘Lullaby’ by Sigala feat. Paloma Faith

Paloma Faith is no stranger to the dance music genres. Having put her toes in the water on Sigma’s smash hit, Changing, her latest collaboration with Sigala on the track Lullaby sees her venture into the tropical house scene.

Whilst Changing – to be overly critical – could be described as just a faster Paloma single, Sigala (real name Bruce Fielder) is able to bring out the best of the Crybaby singer on this track. With a steady tempo of 120bpm, Lullaby progresses at a pace which isn’t unfamiliar to Faith.

What is different, however, is the more anthemic sound from Paloma – reminiscent of Galantis’ Runaway (U & I) – which we hear in the chorus in the catchy line: Won’t you sing me a sweet lullaby. Although the artist doesn’t shy away from powerful vocals, this collaboration sees a louder, shouty side of Paloma we’ve rarely heard before – wonderfully ironic for a track named Lullaby.

There’s no doubt that Fielder has scored another hit collaboration with this track, but whilst Faith’s vocals are to be commended, Sigala’s instrumental contributions should also be applauded as well.

Unlike previous singles, we hear a unique style of tropical synth on this track. Hit singles like Easy Love, Give Me Your Love or Ain’t Giving Up all have punchy piano stabs at its core, yet Lullaby ditches that entirely for a bubblier, fluttering electronic melody.

Yet, that’s not to say that such a sound hasn’t been hinted at before. The poppy intro to Came Here for Love is perhaps the closest to the feel of this track, which seems to suggest that Sigala is perhaps designing a more uniform style in preparation for his upcoming album (something which has once again been teased by Fielder fairly recently).

Despite what the song’s title may suggest, Sigala and Paloma Faith’s collaboration is a euphoric, feel-good track, kickstarting Fielder’s 2018 and building upon Faith’s recent success with The Architect.